On the eve of Halloween weekend, things looked eerie for Angelina Jolie's "Changeling" and her hope to get back in the Oscar derby for the first time since she won best supporting actress of 1999 for "Girl, Interrupted."
Last year Angelina Jolie got great reviews for "A Mighty Heart," but it bombed at the box office and she ended up getting snubbed by the academy despite receiving nominations from the Golden Globes, SAG, Critics Choice and Indie Spirit Awards.
Traditionally, Halloween weekend is a lousy time to open a movie wide, especially if the holiday falls on a Saturday. "Changeling" had another problem. It's widely perceived as a chick flick that dating couples might skip in favor of more cross-gender crowd pleasers like "High School Musical 3," "Zach and Miri Make a Porno" and "Saw V."
But "Changeling" beat the odds and had the highest per-screen average of all pix in theaters this past weekend — $5,085 — and exceeded box-office projections, bringing in $9.4 million. One third of its audience was male (that's pretty good) and exit polls showed a high number of viewers ranking it "excellent" and saying that they'd definitely recommend it to others.
But now here's the really scary part of this Halloween Hollywood story. Some media are straining to portray "Changeling" box-office performance as a big disappointment.Strangely, Hollywood Reporter Risky Biz blogger Steven Zeitchik writes, "Outside of the flop 'A Mighty Heart,' 'Changeling' is Jolie's lowest weekend total for a wide opening since the 'Original Sin'/'Life or Something Like It' days of the early '00s. True, it is a more much prestige-y film than, say, 'Sky Captain and the World of Tomorrow.' And Halloween did take a toll. But not blowout numbers. Eastwood followed a similar trajectory — 'Changeling' trumped the late '90s/early '00s openings of tepidness like 'Blood Work' and 'Midnight in the Garden of Good and Evil.' But the tally came in lower than the first wide weekends of his last three English-language directorial efforts — 'Flags of Our Fathers,' 'Million Dollar Baby' and 'Mystic River."
That's true, but those films all opened on weekends that were more box-office friendly, calendar wise, and they had strong appeal to both male and female moviegoers.Zeitchik insists that film critics don't like "Changeling," which also isn't quite truth. It's received great reviews from the L.A. Times, Variety, Hollywood Reporter, Time, Newsweek, Rolling Stone and Roger Ebert in the Chicago Sun-Times. Sure, some critics weren't enthusiastic, but it hasn't suffered many slams like Manola Dargis' nuclear strike in the New York Times. Most reviews are certainly respectful.

















































